17,324 Royalty-Free Audio Tracks for "Audio Files Of Musical Chords"

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Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.
Author: Hyacinth at English Wikipedia
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Diatonic mediant/submediant chord progression: i VI i (submediant, in minor).
Author: Hyacinth
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Diatonic mediant/submediant chord progression: I vi I (submediant, in major).
Author: Hyacinth
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Diatonic mediant/submediant chord progression: I iii I (mediant, in major).
Author: Hyacinth
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*Silver ratio (δS) on C. Just: 1+√2:1 = 1525.86 cents. MIDI pitch bend: 35,72
Author: Hyacinth
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Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.
Author: Image: Created by Hyacinth (talk) 03:29, 21 March 2010 using Sibelius 5. Music: Bach
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ไทย: คำร้อง : เผดิมศักดิ์ ปอศรี ทำนอง : เผดิมศักดิ์ ปอศรี
Author: โรงเรียนสาธิตมหาวิทยาลัยราชภัฏนครปฐม
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ไทย: คำร้อง : คณะประธานนักเรียนโรงเรียนสาธิตมหาวิทยาลัยราชภัฏนครปฐม ทำนอง : คณะประธานนักเรียนโรงเรียนสาธิตมหาวิทยาลัยราชภัฏนครปฐม
Author: โรงเรียนสาธิตมหาวิทยาลัยราชภัฏนครปฐม
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Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.
Author: This file is lacking author information.
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Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).
Author: Sciurid
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The chord of A major played on an acoustic guitar. El acorde de A major toca en una guitarra acoustica.
Author: WBOSITG
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Maple Leaf Rag seventh chord resolution. Created by Hyacinth (talk) using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Sequential modulation through the circle of fifths in Haydn, Quartet Op. 3, No. 3, IV, Hob.III:15 (now considered spurious, perhaps by Roman Hoffstetter).
Author: Hyacinth
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Compound minor third on C (Augmented ninth), MIDI
Author: Hyacinth at en.wikipedia
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Diatonic scale on C, staccatissimo articulation.
Author: Hyacinth
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833 cents scale step 2. 235.77 cents. 3⁄ φ {\displaystyle \varphi }  2
Author: Hyacinth
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One example of imperfect consonances previously considered dissonances in Guillaume de Machaut's "Je ne cuit pas qu'onques".
Author: This file is lacking author information.
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833 cents scale step 6. 733.82 cents. 1/ φ {\displaystyle \varphi } ⁄ φ {\displaystyle \varphi } /4
Author: Hyacinth
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833 cents scale step 9 (2). 1068.86 cents. 3⁄ φ {\displaystyle \varphi }
Author: Hyacinth
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833 cents scale step 8 (1). 932.36 cents. φ {\displaystyle \varphi }  5⁄4 φ {\displaystyle \varphi }
Author: Hyacinth
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833 cents scale step 15 (1). 565.45 cents. φ {\displaystyle \varphi }  6⁄8 φ {\displaystyle \varphi }
Author: Hyacinth
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833 cents scale step 7 (0). 833.09 cents. φ {\displaystyle \varphi }  2⁄ φ {\displaystyle \varphi }
Author: Hyacinth
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833 cents scale step 12 (5). 230.41 cents. 1⁄6/ φ {\displaystyle \varphi }  4
Author: Hyacinth
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833 cents scale step 1. 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }
Author: Hyacinth
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833 cents scale step 11 (4). 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }
Author: Hyacinth
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*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.
Author: Hyacinth (talk) (Uploads)
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Diatonic scale on C, staccato articulation.
Author: Hyacinth
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Diatonic scale on C, legato articulation.
Author: Hyacinth
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833 cents scale step 4. 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }
Author: Hyacinth
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833 cents scale step 3. 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2
Author: Hyacinth
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833 cents scale step 14 (0). 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }
Author: Hyacinth
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Diatonic scale on C, tenuto articulation.
Author: Hyacinth
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833 cents scale step 13 (6). 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2
Author: Hyacinth
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833 cents scale step 5. 597.32 cents. 1⁄3/ φ {\displaystyle \varphi }  3
Author: Hyacinth
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Slendro vs whole tone scale on C
Author: Hyacinth (talk) on English Wikipedia using Sibelius 5.
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*1849th harmonic (H43/H43) on C = B♭-. Just: 1849/1024 = 1023.04 cents. Limit: 43-limit. MIDI pitch bend: 47,71
Author: Hyacinth
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*2197th harmonic on C = D-. Just: 2197/2048 = 121.58 cents. Limit: 13-limit. MIDI pitch bend: 116,70
Author: Hyacinth
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*1073rd harmonic on C = C♯+. Just: 1073/1024 = 80.92 cents. Limit: 37-limit. MIDI pitch bend: 114,57
Author: Hyacinth
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*1369th harmonic on C = E+. Just: 1369/1024 = 502.69 cents. Limit: 37-limit. MIDI pitch bend: 110,64
Author: Hyacinth
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*1147th harmonic on C = C+. Just: 1147/1024 = 196.38 cents. Limit: 37-limit. MIDI pitch bend: 107,94 on m2
Author: Hyacinth
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*1025th harmonic on C = B♯. Just: 1025/1024 = 1.69 cents. Limit: 41-limit. MIDI pitch bend: 69,64
Author: Hyacinth
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Major scale on A.
Author: Created by Hyacinth (talk) 06:47, 19 January 2012 (UTC) using Sibelius 5.
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